William J. Maxwell
Washington University in St. Louis
[How J. Edgar Hoover’s Ghostreaders Framed African American Literature]
Friday, February 6
3222 Angell Hall
Interested graduate students and faculty are also warmly welcomed to join Professor Maxwell earlier that day for a discussion of his accompanying project, the F.B. Eyes Digital Archive, an online collection of FBI files on African American authors and literary institutions obtained through the U.S. Freedom of Information Act. Professor Maxwell will answer questions related to the creation and curation of digital archives, and on working with archival material more broadly.
3154 Angell Hall
A light lunch will be provided. RSVP to email@example.com.
Few institutions seem more opposed than African American literature and J. Edgar Hoover’s white-bread Federal Bureau of Investigation. But behind the scenes the FBI’s hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem’s renaissance and Hoover’s career at the Bureau, secretive FBI “ghostreaders” monitored the latest developments in African American letters. By the time of Hoover’s death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau’s close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century.
Taking his title from Richard Wright’s poem “The FB Eye Blues,” Maxwell details how the FBI threatened the international travels of African American writers and prepared to jail dozens of them in times of national emergency. All the same, he shows that the Bureau’s paranoid style could prompt insightful criticism from Hoover’s ghostreaders and creative replies from their literary targets. For authors such as Claude McKay, James Baldwin, and Sonia Sanchez, the suspicion that government spy-critics tracked their every word inspired rewarding stylistic experiments as well as disabling self-censorship.
Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.
A PDF of Introduction to F.B. Eyes is available here.
F.B. Eyes will be available for sale and signing at the 4 PM talk.
William J. Maxwell is associate professor of English and African American studies at Washington University in St. Louis. He is the author of New Negro, Old Left: African-American Writing and Communism between the Wars and the editor of Claude McKay’s Complete Poems.
Sponsored by the American Studies Consortium and the Department of American Culture.